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- <text id=92TT0630>
- <title>
- Mar. 23, 1992: Lots of Skin, but No Heart
- </title>
- <history>
- TIME--The Weekly Newsmagazine--1992
- Mar. 23, 1992 Clinton vs. Tsongas
- </history>
- <article>
- <source>Time Magazine</source>
- <hdr>
- CINEMA, Page 65
- Lots of Skin, but No Heart
- </hdr><body>
- <p>By Richard Schickel
- </p>
- <qt>
- <l>BASIC INSTINCT</l>
- <l>Directed by Paul Verhoeven</l>
- <l>Written by Joe Eszterhas</l>
- </qt>
- <p> Some movies are so ferociously prejudged--sometimes
- because of costs that seem scandalous, sometimes because of
- controversies with pressure groups or the ratings board--that
- it becomes difficult to evaluate them fairly when they appear.
- One looks so chic (and so inside) airily dismissing something
- like Ishtar or Hudson Hawk. What fun for critics and show-biz
- reporters. And so easy too.
- </p>
- <p> Basic Instinct is the latest candidate for admission to
- this inner circle of the cinema's damned. Its script was bought
- for a record $3 million, and people immediately started saying
- nothing could be that good. Then location shooting was disrupted
- by gay activists claiming the film promoted a cruel stereotype--that lesbians are literally man killers. Finally, when the
- picture was finished, it was slapped with an NC-17 rating.
- After a few cuts (less than a minute's worth) and many hot
- words, that was changed to an R, but such wrangles usually do
- irreparable box-office harm.
- </p>
- <p> There's no need to make a cosmic case against Basic
- Instinct. It's just another entertainment that went more wrong
- than right. Maybe its script isn't worth $3 million, but its
- basic premise is not a bad one. It proposes an untrammeled San
- Francisco woman named Catherine Tramell (Sharon Stone) who
- writes murder mysteries that have a nasty way of predicting
- actual crimes. They also provide, of course, a perfect alibi.
- No one in her right mind would create fictions that make their
- author a prime suspect.
- </p>
- <p> That does leave a nice question: Is Catherine in her right
- mind? Nick Curran (Michael Douglas) doesn't care. He's a
- hot-tempered, danger-loving cop who learns, as he investigates
- a murder in which she is indeed the likeliest suspect, and falls
- in lust with her, that she intends to use him as the subject of
- her next book. But, hey, when the sex is this good, why should
- he pause to count its potential costs?
- </p>
- <p> For that matter, why should we? In recent years the
- tameness and sameness of movie sex have become a bore, which is
- not a word anyone is going to apply to this film's skin scenes.
- They may be offensive to some, but they will be a turn-on for
- others. And, by the way, Basic Instinct cannot fairly be termed
- antigay. Catherine is certainly bisexual, but it is just another
- aspect of her cultivated air of differentness, her love of
- high-risk games and shock effects, which Stone plays very well.
- </p>
- <p> The real problems with the film lie elsewhere: in the
- chilly, self-conscious sleekness of its production design, in
- the heartless and relentless thrill seeking of Paul Verhoeven's
- direction, in the too intricate, not entirely persuasive
- plotting required to create an alternate suspect, a police
- psychiatrist (Jeanne Tripplehorn) who truly loves Douglas.
- Finally, the film breaks faith with the most inviolable
- convention of the whodunit--refusing to state firmly which of
- the two women dunit (notwithstanding gay activists' confident
- naming of one of them, in a publicity campaign aimed at
- undermining the movie). This reflects its fundamental flaw of
- arrogance, a smug faith in the ability of its own speed,
- smartness and luxe to wow the yokels. It is its attitude, not
- its morality, that ultimately undoes Basic Instinct.
- </p>
-
- </body></article>
- </text>
-
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